Headless figures merge with one another aggressively yet silently, falling or seizing in an upside down void of pitch black. The only figure with a head in the foreground stands frozen in fear or stunned by the gaze of witnesses. The desire that piles up in the entrance or exit, and the desire wanting to be unseen make a strong contradictory effect. After the overcrowded disaster happened on Halloween in Itaewon, Korea, I began to think about the gravity of the souls and bodies, and the impact that has on each other. 

The existence of all of us who inevitably have a relationship with space takes various gestures in it, which is overwhelmed by certain desires, desperations, and unknowns to avoid the flow of time.